A few examples of appraisal values for
AUTUMN EVENING

• EDOUARD DEBAT-PONSAN (FRENCH, 1847-1913).
  EDOUARD DEBAT-PONSAN (FRENCH, 1847-1913). "Autumn evening", Oil on Canvas. Signed to lower right and dated 1910. Christie's label to verso. From a Hastings on Hudson, NY estate. Dimensions: 26" h x 36" w. Condition: Good.
• DAVID MUIRHEAD BONE. "AUTUMN EVENING,
  DAVID MUIRHEAD BONE. "AUTUMN EVENING, LOWESTOFT," ETCHING (British, 1876-1953). Etching, pencil signed "Muirhead Bone" lr, sight size: 8 1/2 x 13 1/2 in., framed.
• Woodblock Takahashi Sh?tei (Japanese,
  Woodblock Takahashi Sh?tei (Japanese, 1871-1945) Returning Woman in an Autumn Evening, matted and framed; overall excellent condition, wear on frame, age wear, surface wear; sight L 6 1/4" H 14 1/2" (Approx.)
• GUSTAVE DE BEAUMONT OIL ON CANVASGUSTAVE
  GUSTAVE DE BEAUMONT OIL ON CANVASGUSTAVE DE BEAUMONT (Switzerland, 1851-1927) oil on canvas, "Soir Automme," autumn evening with pedestrians at an overlook, La Treille, France. Signed lower left and dated 1918, titled verso. Image measures 20" x 29". In a gilt wood frame; 26" x 35" overall.
• ALEXANDER JOHN DRYSDALE (AMERICAN/NEW
  ALEXANDER JOHN DRYSDALE (AMERICAN/NEW ORLEANS)Alexander John Drysdale (American/New Orleans, 1870-1934), "Autumn Evening on a Bayou", 1921, oil wash on board, signed and dated lower left, signed, titled, dated and inscribed en verso, 20 in. x 29 3/4 in., framed
• Horace P. Giles (American, 1802-1897) Salt
  Horace P. Giles (American, 1802-1897) Salt Marshes Near Boston, Autumn Evening oil on board signed H. P. Giles (lower right) 9 1/2 x 12 1/2 inches. Property from the Collection of Harry Peterson, Lantana, Florida
• KENNETH REEVE (AMERICAN 20TH CENTURY)
  KENNETH REEVE (AMERICAN 20TH CENTURY) THREE AQUATINT PRINTS. Autumn Evening (sight 4.5'' x 5.5'') Coffee Mill (sight 5.5'' x 4.5'') Homeward bound (sight 8'' x 8.5'') all pencil signed LR Condition: No Specific Condition Recorded - Sold As Is
• Alexander John Drysdale (American/New
  Alexander John Drysdale (American/New Orleans 1870-1934) "Hazy Autumn Evening Bayou Teche La" oil wash on board pencil-signed and dated "1933" lower left pencil-signed titled dated and inscribed "Lifetime Member Southern National Academy of Design" en verso 20 in. x 30 in. in a period giltwood frame.
• Alexander John Drysdale (American/New
  Alexander John Drysdale (American/New Orleans 1870-1934) "Autumn Evening on a Louisiana Bayou" oil wash on board signed lower right with a hand-written artist's label bearing the title and the artist's business card en verso 20 1/8 in. x 26 3/4 in. in a period giltwood frame.
• Marion Huse (American 1896-1967) oil
  Marion Huse (American 1896-1967) oil on canvas ''Autumn Evening '' 1943 signed and dated in LR depiction of a late 19th /early 20th century city suburb local residents and horse drawn carts litter the street while electricity lines and a skyscraper loom over them slight craquelure eraser-sized damage to far right surface grime 24'' h. x 30'' w. [Marion Huse (1896-1967) was founder operator and head instructor of a successful art school in Springfield Massachusetts from 1925-1940 and a regional director of the state's W.P.A. Federal Art Project. Huse broke many barriers and achieved a degree of professional success unusual for a woman of her day. As a painter her works were exhibited and honored throughout New England and in other areas of the United States. In the early 1930's Huse acquired a country studio in the small Vermont village of Pownal nestled in the Green Mountain foothills just over the Massachusetts border from Williamstown. Marion Huse broadened her investigation of the American Scene after an excursion to New Mexico in the fall of 1937. In 1944 the artist married Robert Barstow and moved to Albany New York where they lived for several years. In late 1946 Huse left Albany to join her husband stationed with the Army Medical Corps in Europe immediately following World War II. They travelled throughout the country side of the Low Countries and northern France so that Huse could paint and sketch. While abroad Huse became more directly influenced by European Modernism in general and School of Paris painting in particular. During the 1940's Marion Huse became a pioneer in the exploration of the newly established graphic art medium of silk screen printing as serigraphy. During the summer of 1947 Huse began to experiment considerably with monotype. Many of Huse's most significant late works are characterized by increasingly abstract compositions and a more vigorously expressionistic manner of presentation. Around 1960 Huse further diversified her art through an exploration of medium of collage.][Sold to benefit a New England Museum/Institution copy of Marion Huse An Artist's Evolution catalog give to successful bider]